Amber Goodwyn

A catalogue of inspirations and links to posts on my blog, ambergoodwyn.wordpress.com
fariharoisin:

Amen.
sheer-powder:

“We’ve been ‘cool’ for a very long time, and in that sense our culture has been taken for a very long time. How do we define when we’ve arrived? It’s not when a young, white girl in Berkley is wearing nice garlands or those nice buddhist beads, or wearing bindi. I don’t feel like my life in anyway has been improved because she has the ability to do that and thinks that’s okay. My life hasn’t improved. The life of my mother has not improved. Our voice as a community within this economic system has not improved. 
A good friend of mine, she’s south Indian, and she grew up in Connecticut. Her mom would make her wear her bindi and go to school. She would get harassed by kids… she would be harassed so much that what she would do, is that because she was so ashamed to have that bindi on her head, she would leave her house, wipe it off… and then come home and put it back on.
To the point where a child would have to think about such a deliberate attempt to refute their own culture I think is pretty profound. If there’s a white girl wearing a bindi walking down central avenue in the heights, she’s not considered a dot head, even though she has a dot on her head.
For me, the feeling is disgust and anger. The way I look at it if I see it, I just get so mad because I think, how dare this person be able to wear that, or hold that, or put that statue in her house and not take any of the oppression for that. How dare they. That’s not fair. We have to take so much heat and repression for expressing ourselves.
I’m going to rip that thing off your head, and I’m going to scrub that mehndi off your hands, because you don’t have the right to wear it. Until the day when you walk in our shoes, and you face what we face… the pain, and the shame, and the hurt, and the fear, you don’t have the right to wear that. It is not your right, and you’re not worthy of it. I feel like it’s so superficial and it’s so disrespected. One day, wake up, be me, and then you’ll see how powerful what you’re wearing is. “
—Raahi Reddy, Yellow Apparel: When the Coolie Becomes Cool

fariharoisin:

Amen.

sheer-powder:

We’ve been ‘cool’ for a very long time, and in that sense our culture has been taken for a very long time. How do we define when we’ve arrived? It’s not when a young, white girl in Berkley is wearing nice garlands or those nice buddhist beads, or wearing bindi. I don’t feel like my life in anyway has been improved because she has the ability to do that and thinks that’s okay. My life hasn’t improved. The life of my mother has not improved. Our voice as a community within this economic system has not improved. 

A good friend of mine, she’s south Indian, and she grew up in Connecticut. Her mom would make her wear her bindi and go to school. She would get harassed by kids… she would be harassed so much that what she would do, is that because she was so ashamed to have that bindi on her head, she would leave her house, wipe it off… and then come home and put it back on.

To the point where a child would have to think about such a deliberate attempt to refute their own culture I think is pretty profound. If there’s a white girl wearing a bindi walking down central avenue in the heights, she’s not considered a dot head, even though she has a dot on her head.

For me, the feeling is disgust and anger. The way I look at it if I see it, I just get so mad because I think, how dare this person be able to wear that, or hold that, or put that statue in her house and not take any of the oppression for that. How dare they. That’s not fair. We have to take so much heat and repression for expressing ourselves.

I’m going to rip that thing off your head, and I’m going to scrub that mehndi off your hands, because you don’t have the right to wear it. Until the day when you walk in our shoes, and you face what we face… the pain, and the shame, and the hurt, and the fear, you don’t have the right to wear that. It is not your right, and you’re not worthy of it. I feel like it’s so superficial and it’s so disrespected. One day, wake up, be me, and then you’ll see how powerful what you’re wearing is. “

—Raahi Reddy, Yellow Apparel: When the Coolie Becomes Cool

(via garconniere)

cobraandvulture:

Today we’re starting the slow reveal of our album Grasslands: our bud Jim is streaming/sharing a song from the record called Prairia over on his site Quick Before It Melts. Have a listen!

This album has been cooking for sooo long…here’s the first song off of it!

cobraandvulture:

Today we’re starting the slow reveal of our album Grasslands: our bud Jim is streaming/sharing a song from the record called Prairia over on his site Quick Before It Melts. Have a listen!

This album has been cooking for sooo long…here’s the first song off of it!

The dress in that first image stops my heart. Plus: MYTHS LEGENDS ETC

(via -learntoread)


“ i don ’ t like records that are the same from beginning to end , that are too styled and slick . everything is so designed and airbrushed and botoxed , it makes us think, ’ oh , everybody ’ s perfect except me . everything ’ s smooth except me . ’ but nothing is smooth . “
i don ’ t like records that are the same from beginning to end , that are too styled and slick . everything is so designed and airbrushed and botoxed , it makes us think, ’ oh , everybody ’ s perfect except me . everything ’ s smooth except me . ’ but nothing is smooth . “

(via iheartbjork)

superseventies:

‘Chanel N°22: The perfume of romance.’ - December 1970.

How I’d dress all the time if I could.

superseventies:

‘Chanel N°22: The perfume of romance.’ - December 1970.

How I’d dress all the time if I could.

wornjournal:

Lady Bunny by Aaron Cobbett
***
“Drag queens do a lot to wigs to make them their own. They increase volume by combining multiple wigs or hair pieces… Lady Bunny takes the cake with a mountain of a wig made from sixteen others. But even with a wicker basket frame to make it lighter, she can only wear it for forty-five minutes before getting a massive headache. ‘Beauty knows no pain!’ she says.”
from Max Mosher’s Big Wigs and Dancing Queensfeatured in WORN Fashion Journal
find it in the HAIR issuecoming November 24PREORDER YOUR COPY NOW 

Incroyable!

wornjournal:

Lady Bunny by Aaron Cobbett

***

“Drag queens do a lot to wigs to make them their own. They increase volume by combining multiple wigs or hair pieces… Lady Bunny takes the cake with a mountain of a wig made from sixteen others. But even with a wicker basket frame to make it lighter, she can only wear it for forty-five minutes before getting a massive headache. ‘Beauty knows no pain!’ she says.

from Max Mosher’s Big Wigs and Dancing Queens
featured in WORN Fashion Journal

find it in the HAIR issue
coming November 24
PREORDER YOUR COPY NOW
 

Incroyable!

jessicamaccormackrmack:

Hey Girl,
Today a 31-year-old Ottawa man has been found guilty of three counts of attempted murder and three counts of aggravated sexual assault after failing to disclose his HIV-positive status to sex partners.

jessicamaccormackrmack:

Hey Girl,

Today a 31-year-old Ottawa man has been found guilty of three counts of attempted murder and three counts of aggravated sexual assault after failing to disclose his HIV-positive status to sex partners.

(via queersforfeminism)